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I took note of this outstanding artist by observing what "Triplicate Records" boss Michael Southard is buying. Basically, this music constitutes some kind of electronica, but it's so far out and weird that it qualifies easily for the "avantgarde" badge. The tracks are highly polyphonic, polyrhythmic, and polytonal, sometimes even making use of microtonality, but in a way that doesn't sound obtrusive. It's exactly the right thing if you're in the mood for something utmost complex and demanding. Sven B. Schreiber